The QOL Asia, AFJP, Yes and related bands thread.

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Re: The QOL Asia, AFJP, Yes and related bands thread.

Postby sebastian » Sun Jun 28, 2015 8:30 pm

Will be missed.
John hated Hot Space. Frederick's favourite singer was not Paul Rodgers. Roger did not compose 'Innuendo.' Witness testimonies are often inaccurate. Scotland's not in England. 'Bo Rhap' hasn't got 180 voices.
 
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Re: The QOL Asia, AFJP, Yes and related bands thread.

Postby Simon » Mon Jun 29, 2015 6:37 am

Heavy blow to the music world. Truly an impressive man. John Deacon named Squire as his idol during the Queen radio interview in 1989. I feel sad even though I am not a huge Yes-fan. But there will be lots of Yes music today!
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Re: The QOL Asia, AFJP, Yes and related bands thread.

Postby Tarkus » Mon Jun 29, 2015 10:34 am

Jon Anderson wrote:Chris was a very special part of my life; we were musical brothers. He was an amazingly unique bass player – very poetic – and had a wonderful knowledge of harmony. We met at a certain time when music was very open, and I feel blessed to have created some wonderful, adventurous, music with him. Chris had such a great sense of humor… he always said he was Darth Vader to my Obiwan. I always thought of him as Christopher Robin to my Winnie the Pooh.

We travelled a road less travelled and I’m so thankful that he climbed the musical mountains with me. Throughout everything, he was still my brother, and I’m so glad we were able to reconnect recently. I saw him in my meditation last night, and he was radiant. My heart goes out to his family and loved ones.

Love and light…..Jon
 
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Re: The QOL Asia, AFJP, Yes and related bands thread.

Postby Tarkus » Mon Jun 29, 2015 5:26 pm

Really nice tribute from our Brian here...

Brian May wrote:Very sad to hear of the passing of Chris Squire, bass player of the progressive rock band YES, today.

Chris was a truly unique bass player. The word ‘unique' is used a lot, these days, of course, but in Chris’s case, it’s undisputable. His bass playing style was a million miles away from the low-pitched thud of most bassists of the time. His bass guitar was wired up to make an incisive full-frequency range ‘clank’ that had the presence of an orchestra when he played on his own. Blended into the intricacies of the arrangements in his band’s music, it formed a massively strong backbone in both rhythm and pitch. As young musicians, we boys in Queen were huge fans of Yes. We had a loose connection with them, since Freddie had worked in Kensington Market alongside Tony Kaye, their original keyboard player. We regularly saw Yes playing around London in their very early days - when they were still playing covers, - among them a very impressive version of ‘Something’s Coming’ from West Side Story. In these early days they were learning their harmony skills which later emerged strongly in their own compositions … like 'I’ve Seen All Good People', etc.

Chris was a founder member of the band along with singer Jon Anderson, and was a major writer and arranger as well as bassist. I saw the band many times all through their very convoluted history, but one early impression stick in my mind. I was on the Entertainments Committee of my college - Imperial College - and we booked them to play in our Great Hall just after they’d returned from a tour in the USA supporting Iron Butterfly. We were around in the hall when Yes were doing their sound check. At each side of the stage were the speakers of their PA … their amplification system. Now in those days, PA’s were usually made from a valve amplifier putting out about 200 watts in power (compare that with modern systems which pump out hundreds of thousands of watts). The amp would feed small cabinets which held some conventional loudspeakers - the kind that people had in their home radios and record players. The Yes system was shockingly different. It comprised massive square black boxes (known as ‘Bins’ - for the low frequencies) and large metal fan-shaped devices sitting on top (known as ‘Horns’). Our jaws dropped. We’d never seen anything like it. We asked them later how this came about and they told us that this was the Iron Butterfly system, designed to put across one of the loudest bands in the world at that time. For Yes, it was not so much about being loud, as being clear. To put across multi-part harmonies on top of a loud rock band required a lot of spare power, or all that would come out would be distortion, since you were trying to make those delicate harmonies compete with the sound coming out of loud guitars and drums actually on stage, in the ‘back line’. For us this was vital information. We, as Queen, were planning to do exactly that … make vocal harmonies sit on top of a band sound that was going to be louder and more ‘heavy’ in content than Yes’s. So if this new kind of system worked, this was what we wanted. Of course there was one small snag … we had no money !!

But was all this sophistication going to solve every problem ? Chris Squire strolled on to the stage and picked up his already plugged-in Rickenbacker bass, and turned it up to do the check. But before he played a note, he frowned and said, in what seemed like a shocked tone (and the implication that this was in no way his problem): “There’s a buzz !” Immediately three or four guys rushed on from the wings and scurried around looking equally concerned.

Now to us, at the time, being beginners with no money and no gear, this seemed incredibly grand ! Couldn’t he sort out his own buzz ? What was this world where other people turned on your amp and plugged you in ? But as time went on, we realised this is more a matter of focus. As a performer you try to optimise your efforts as regards performing. You actually can’t do that if you’re worrying about the technical side of things as well. You pay other folks good money to do that … and if you don’t, you’re actually putting someone out of a job ! The whole touring team thing depends on everyone being a specialist in what they do, and that’s how you achieve excellence. It’s just one of the lessons we, Queen, learned from YES, and, very specially, the amazing and truly unique Chris Squire. I should probably mention that as a player he was a virtuoso; I think just about every bass player I know would confirm that view.

May he rest in peace and happiness, knowing he played a great part in changing Rock for ever.

Sincere condolences to his family and friends, and the guys he pioneered wondrous harmony progressive faerie-inspired Rock with.

Bri


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Re: The QOL Asia, AFJP, Yes and related bands thread.

Postby sebastian » Tue Jun 30, 2015 2:36 am

Truly great tribute from Dr Bri indeed.
John hated Hot Space. Frederick's favourite singer was not Paul Rodgers. Roger did not compose 'Innuendo.' Witness testimonies are often inaccurate. Scotland's not in England. 'Bo Rhap' hasn't got 180 voices.
 
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Re: The QOL Asia, AFJP, Yes and related bands thread.

Postby icy » Tue Jun 30, 2015 5:23 pm

RIP. Sad loss. No doubt of the man's talent.
~Godspeed little one~
~Don't talk about angels
Or how I'll be saved
I'm no coward
But I'm not that brave
Rags are blowing
Rain's getting near
I'm done with running
And it's getting dark in here~

~Sleep in peace old friend for me you'll never die~
 
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Re: The QOL Asia, AFJP, Yes and related bands thread.

Postby Tarkus » Wed Dec 16, 2015 10:41 pm

Things have gone on apace since the last few posts. Yes are touring with Billy Sherwood filling in for Chris after his sad demise, and rumours are that he's helping them work on a new album, release date sometime later next year or 2017. John Wetton is recovering nicely after having had a two-pound tumour removed from his bowel earlier in the year. In the meantime, Asia guitarist Sam Coulson has released his first solo album, which is guitar covers of classical music pieces. Geoff Downes, Asia and yes keyboardist has released his second album with Chris Braide as The Downes Braide Association, called Suburban Ghosts.

I decided to check this out, and loved it instantly. I now have both albums- Suburban Ghosts and Pictures Of You. More prog-pop than prog rock, but every song is intelligently written, thoughtful, and some of it is downright great foot-tapping music. Some tracks from both...

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I can actually hear where some of the early Asia and John Payne era Asia inspiration came from on some of these tracks- two very good albums indeed.

Also, Jon Young, who filled the keyboard slot for Asia during a 1990 tour before Wetton left and Downes collaborated with Payne, has formed his own prog band called Lifesigns. The debut album is pretty damn fine stuff, very much in the Yes/Mystery mould. Check this out...

phpBB [video]
 
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Re: The QOL Asia, AFJP, Yes and related bands thread.

Postby FreddiesShootingStar » Thu Jan 14, 2016 8:02 am

Are Ex-Yes Members Jon Anderson, Rick Wakeman and Trevor Rabin Touring Together in 2016?

http://ultimateclassicrock.com/ex-yes-members-tour/?utm_source=sailthru&utm_medium=referral&utm_campaign=newsletter_5003207
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Re: The QOL Asia, AFJP, Yes and related bands thread.

Postby Tarkus » Sat Mar 12, 2016 7:18 am

First Lemmy, then Bowie, now this... :cry:

BBC news wrote:Keith Emerson, the co-founder and keyboardist of progressive rock group Emerson, Lake and Palmer, has died aged 71, according to his former bandmates.

"We regret to announce that Keith Emerson died last night at his home in Santa Monica, Los Angeles," read a statement on the band's Facebook page.

Emerson was considered one of the top keyboard players of the prog rock era.

He died of a self-inflicted gunshot wound to the head, Santa Monica police confirmed to the BBC.

His death was being investigated as a suicide, police added.

A police spokesman said Emerson's body was found in the early hours of Friday morning by his girlfriend Mari Kawaguchi at their flat in the Californian city.

Former bandmate Carl Palmer said: "I am deeply saddened to learn of the passing of my good friend and brother-in-music, Keith Emerson.

"Keith was a gentle soul whose love for music and passion for his performance as a keyboard player will remain unmatched for many years to come."


What a terrible, terrible shame- and what a loss to the music world. :(
 
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Re: The QOL Asia, AFJP, Yes and related bands thread.

Postby JLP » Sat Mar 12, 2016 10:09 am

I just read that Dusty and the first person I thought of was you. Such a sad thing to happen.
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Re: The QOL Asia, AFJP, Yes and related bands thread.

Postby Tarkus » Sun Mar 27, 2016 2:24 am

I've just discovered this! It seems that a young musical prodigy by the name of Rachel Flowers was befriended by Keith Emerson not so long ago- the incredible thing is that Rachel lost her sight shortly after birth, and is completely blind, yet was inspired to play keyboards by ELP's music. Keith got to hear about her, and invited her to play on his Moog. Guys, watch this- she's absolutely gifted. Here she is playing excerpts from Trilogy and Hoedown, followed by the second video, where she plays Tarkus.

Greg, Carl, you HAVE to get this girl with you to play a tribute gig for Keith- she's absofrickenlutely amazing!

phpBB [video]


phpBB [video]
 
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Re: The QOL Asia, AFJP, Yes and related bands thread.

Postby sebastian » Sun Mar 27, 2016 6:09 am

What an exceptional performer!
John hated Hot Space. Frederick's favourite singer was not Paul Rodgers. Roger did not compose 'Innuendo.' Witness testimonies are often inaccurate. Scotland's not in England. 'Bo Rhap' hasn't got 180 voices.
 
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Re: The QOL Asia, AFJP, Yes and related bands thread.

Postby Tarkus » Wed Feb 01, 2017 8:19 am

John Wetton, bassist, lead singer and chief songwriter of Asia, has passed away aged just 67, fighting sepsis after having a cancerous tumour removed from hos bowel. Asia, my all-time favourite band,looks to be no more. :(
 
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Re: The QOL Asia, AFJP, Yes and related bands thread.

Postby icy » Wed Feb 01, 2017 8:25 am

Tarkus wrote:John Wetton, bassist, lead singer and chief songwriter of Asia, has passed away aged just 67, fighting sepsis after having a cancerous tumour removed from hos bowel. Asia, my all-time favourite band,looks to be no more. :(

I thought of you right away when I heard the news earlier on Tuesday. I'm so sorry, Tarkus.
A big loss for any classic music lover. RIP John Wetton.
~Godspeed little one~
~Don't talk about angels
Or how I'll be saved
I'm no coward
But I'm not that brave
Rags are blowing
Rain's getting near
I'm done with running
And it's getting dark in here~

~Sleep in peace old friend for me you'll never die~
 
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